Last updated - Saturday October 29, 2022
 

John Reade RIP
July 1938 - 11th October 2022


Photo supplied by Sue Reade

 

An original rag by John Reade - "Trip the Light Fantastic"
Courtesy Sue Reade
Click here if you can't hear anything

 

12/10/22 - Sue Reade writes, "It is with a sad heart that I have to tell you that my husband John died yesterday after suffering with Alzheimer's Disease for about 5 years and very recently Peripheral Vascular Disease. He is now at peace and no longer in any pain. He played piano with the Harlem Hot Stompers and depped with many bands in the Northwest. As well as the gigs I have missed his practising at home. I will forward the funeral details when they are finalised".


You can read about John & hear him playing ragtime on Sue Reade's website
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12/10/22 -

Very sad news about John: My years with the Harlem HS were especially enjoyable with John’s wry humour, his immaculate piano skills and his deep understanding of the music. Our thoughts are with Sue and family:

Kay and Jon Critchley


12/10/22 -

Sad news indeed. Jon was pianist with the Zenith Hot Stompers for 5 years in the 1960s when I was on sousaphone. An excellent musician. - Terry McGrath


13/10/22 -

Sad to hear about John Reade. I remember him from his days with The Harlem Hot Stompers. A very nice man and a good pianist as well.

My condolences to Sue, who I also remember, as she would accompany John on his visits to our Warner Jazz Breaks at Alvaston Hall and Gunton Hall ... In the good days of weekend breaks!

Pete Lay


13/10/22 -

John Reade was a founder member of the Harlem Hot Stompers in October 1969. He was an outstanding ragtime pianist and did all the Band arrangements. He played regularly until about 5 years ago when ill health prevented him from playing full sessions. He continued to come to Didsbury to play a solo at the interval.A much valued member of the band and will be sadly missed.

Ian McCann
Harlem Hot Stompers.


13/10/22 -

I was terribly sad to hear of John Reade’s passing. I have known him for a long time, since I was 18 in fact. He was studying for his PhD at Cambridge when I arrived and found him playing with Barry Parser’s Savoy Jazzmen. Along with Phil Probert and other talented young musicians, we quickly drew him into our university band, the Idle Hour Jazz Band, and proceeded to have a wonderful time, including a hilarious two-month tour of the French Riviera in the summer of 1965. Later John returned to the Midlands for a while, where he played with the excellent Zenith Hot Stompers, before he established himself as a Maths professor at Manchester University and joined the equally impressive, Harlem Hot Stompers.

John was a superb musician (classically trained) and a brilliant ragtime pianist, with a very strict (too strict for some tastes) sense of rhythm and ideas of how ragtime should be played. He was also fascinated by stride pianists like James P. Johnson and, of course, he adored Fats Waller. Despite his intellectual and musical brilliance, John was a modest and unassuming man. Gloriously quirky, he could appear a little “serious” on the surface but underneath the donnish exterior he had a delicious sense of humour, an infectious giggle and he was extremely kind. He spent hours transcribing a host of ragtime and stride piano scores which he was happy to share with other musicians in a most generous way. They are a precious resource.

We kept in touch for over fifty years, and I was pleased that he and Sue came to one of the first Fest Jazz festivals in Brittany in 2006. He played solo piano in the restaurant and went down a storm. At the end he was so pleased to get a fine meal himself, as is the norm for musicians in France; “not like Manchester” he muttered. He was also shocked by the sign in French at the festival advertising a “Marché Artisanal” (Craft Fair). “How can people write that Art is Anal?” he protested. John was unique and will be sorely missed. My condolences to Sue and the family.

Trevor Stent


17/10/22 -

So sad to hear about John. I remember his first gig with the Mick Burns Rhythm Kings (the band which morphed into the Harlem Hot Stompers) and was immediately impressed by his superb piano technique and knowledge of classic jazz. Also impressive, in the days before portable electric keyboards, was his ability to play on out of tune pianos by transposing the band key to fit in with the rest of us. We were both interested in the Fletcher Henderson Orchestra and I had some very pleasant visits to his house to listen to his collection of their early recordings, which was much superior to mine. Anyone who can source copy of the LP recorded by the Mick Burns band will hear a great example of John's remarkable talent. -

Colin Turner


18/10/22 -

Trevor Stent writes of John that he had a 'very strict (too strict for some tastes) sense of rhythm'. Strict? I should say so! The first time I stood in on bass with the Harlem Hot Stompers I was warned - warned! - in no uncertain terms by both Dave Berry (drums) and Ian McCann (banjo/guitar) that I was on no account to play during John's piano solos (and neither were they of course). Who was this monster that they were all so afraid of? It puzzled me at the time, but as soon as I stood back for the first of his solos I understood. This man was special, and any attempt to support his playing by providing a rhythm section would, or at least could, have compromised its integrity. Some years later he wrote the sleeve notes to Stompin' at the Jazz Cafe, the album Dave, Ian and I recorded for George Buck with Bricktop's Red Onion Jazz Babes after our first trip to New Orleans, and he was very generous to all of us; but I have to confess that I was always a little bit afraid of him after that first encounter. I feel privileged to have played with him, if only in the choruses!

Allan Wilcox.


28/10/22 -

John was a founding member of The Harlem Hot Stompers which I joined in the early 60's together with my then husband Neil Flynn [banjo] and his brother Jim Flynn [drums].  I sang with this great band for well over 20 years and thoroughly enjoyed every minute.  John's total understanding of all the technical aspects of the music were astounding, he was such a very intelligent unassuming man and full of humour.   He was a wizard with arrangements and could immediately tell everyone what note they should be playing.  He is a great loss to all of us who were fortunate to have made music with him.


I was very pleased to meet with Dave Parr [bass], Ian MCann [banjo & guitar],
and John Ronan [trombone] at the funeral on 26th October 2022


 

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